I’m a VES nominated Visual Effects Supervisor with two decades spent working internationally with storytellers to craft stunning images for tentpole feature films, episodic television, and award-winning campaigns, all with emotional and technical precision. I recently served as Production Additional VFX Supervisor on Marvel Studios’ The Fantastic Four: First Steps and Ant-Man and the Wasp: Quantumania, contributing to large-scale worldbuilding while overseeing pivotal key sequences and animation.  

I’ve been fortunate to earn the trust of directors and showrunners as a creative partner. I contribute not just to execution but to the visual storytelling process from early pre-production through final delivery. As Production VFX Supervisor on The Offer, I led five vendors across 800 shots, delivering immersive CG environments, vehicles, and CG crowds to faithfully recreate 1970s New York and the world of The Godfather. For Netflix’s Emmy and Golden Globe-winning The Queen’s Gambit, I oversaw all VFX including the hallucinated chess matches and transforming modern Berlin into period-accurate cities around the world. My expertise includes collaborating with international crews and shooting on-location outside the U.S., equipping me to lead global teams and complex productions with diverse logistical challenges. I work closely with cinematographers, production designers, stunts and SFX teams to seamlessly weave VFX into the fabric of cinematic storytelling, both visually and emotionally.

With a foundation in compositing and photography, I bring a deep respect for in-camera aesthetics, often drawing inspiration from the practical effects of the ’70s and ’80s, while delivering cinematic, photoreal visuals across any medium. While honoring the artistry of the past, I maintain a forward-looking focus, integrating cutting-edge technologies such as ethical AI and virtual production to enhance creative workflows and storytelling. I’m known for my collaborative, solutions-driven approach on set and in post and my ability to communicate effectively with both creatives and technical teams.

Earlier in my career, I worked as a lead visual effects artist and supervisor at world-class studios including Sony Pictures Imageworks, Method Studios, The Mill and MPC, and taught advanced VFX courses at New York University. My earlier work includes The Amazing Spider-Man, Men in Black 3, and Black Swan among many others.

I’m a Los Angeles and New Jersey local, working globally.