I’m a Visual Effects Supervisor with over a decade and a half of work spanning across blockbuster feature films, episodic TV, high-end TV commercials and everything in between.
I most recently served as Overall VFX Supervisor on the Golden Globe-winning Netflix limited series The Queen’s Gambit from Writer/Director/Executive Producer Scott Frank and Executive Producers Bill Horberg and Alan Scott. Other recent projects include M. Night Shyamalan’s upcoming thriller Old, Barry Jenkins’ If Beale Street Could Talk, Miles Joris-Peyrafitte’s dust bowl era film Dreamland and The Code from CBS Television Studios.
I was fortunate to be nominated in 2014 for a Visual Effects Society Award for Outstanding Compositing in a Commercial for my team’s work on Sony PlayStation: Perfect Day. Other notable projects include major motion pictures, such as Men in Black 3, the superhero blockbusters The Amazing Spider-Man and Green Lantern as well as Darren Aronofsky’s critically acclaimed thriller Black Swan. I also served as an independent consultant on the Academy Award Nominated Beasts of the Southern Wild. In addition to these, number dozens of TV commercials, feature films and episodic series for HBO, Cinemax, NBC and Starz where I was leaned on for creative look development on the most complex sequences.
My formal education includes studies at Rochester Institute of Technology as well as Rider University where I earned my B.S. in Business Administration with a focus in Computer Information Systems. Additionally, I hold a M.S. in Digital Imaging and Design earned at New York University. I’ve lectured at the graduate and university level at New York University and New York Film Academy on courses covering advanced topics in visual effects and computer graphics.
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